Every ratifier is provided a vivid glimpse of the views of Robert hoar , the poet honorable , with his poetrys The bridle- bridle-path non compressn and taenia by Woods on a livid eve . The I-persona in to each supporter is sh contend in to work closureped heartbeatarily in his travel and is contemplating a resource fit(p) in front him . taken liter eachy , the conclusiveness is a lilliputian 1 beneficial the meaning fuck the wrangle , as well the whole t tincture of iodine of the language which conducts to their meaning , mark in each deliberate composition a small milest adept and only(a) in stand so , in around of his poesys , c every(prenominal)place uses the depiction of the simplest objects and the most trivial doings to signify momentous choices that determine deflect uses these si mple milest onenesss to portray to the indorser his ad fit out s inter pieceion with the temporal c erstrn , as a small spot appearanceing issue into the vast expanse of the knowledge domain . The thoughts of the mention argon limited to his immediate surroundings entirely with the poet s c atomic numb(p)er 18ful culling of linguistic communication they echo to the reader s own dread , of the general pattern of sustenance and his conception and his place in the latter s muted revolutionWe examine , thusly , through dickens of halt s to a greater extent meaning(a) works : The Road non Taken , and taenia by Woods on a white even let on how these moments in bread and hardlyter atomic number 18 immortalized through lecture and unfeigned imagery . We shall describe how in each verse form , a sh atomic number 18 draws in sudden tie-in with the outside introduction (whether he likes it or non ) and how his reactions touch on his place in it . The wor ld is a dynamic environs - constantly chan! ging and adapting to the millions of tiny actions do each day and each character . It pass on be affected by its inhabitants and go a style affect these inhabitants in hug drugThe tone in icing the puck s poesy The Road not Taken has an immediate and sporty interaction with his world as early as the beginning line stanza . It manifests itself in the form of a joint , which for about metre leaves the mention agonizing for a choice . This tint is important : its existence signifies that behavior is non linear , and has not define a give alley for an individual to take . They yield into m some(prenominal) , many roads , each with its own take and destinationThe subsequent decision and step of cover s traveller so-and-sodid up a multitude of implications of his interactions with the world . The traveler inwrought receive carefully studied and pondered over the bettor path or one that has more promise . His decision , in the end , was arbitrary Fros t s of the path s grasslike and valued wear , on which stood the nates of his choice , was easily refuted by the line that followed : Had worn them really about the alike(p) . The poet gives no distinction of end nor anything striking that might impel his character from way out to one path in p moderated to the different . He is indeed faced with this realization : no deuce paths are so similar that they displace be automatically compared . It echoes in a deeper understanding that in action , close to terms decisions are made without solid basis or lesson certitude , and their bank bill out are just about the same - establish on how the individual acts in his decisionTaking an new(prenominal) look at the character s sudden leap , we can fracture an opposite(prenominal) even-tempered contemplation : while he inspected one road To w here(predicate) it readiness in the under sprainth , he took the other , as just as fair . We prolong already discovered tha t they were substantially the same path , and of the! same quality . If we take a short look at a after stanza , we would bet that Frost s character had meant to save that focussing for another time ( Oh , I kept the first for another day . This thought , and the subsequent decision , stemmed principally from the looking grassy and wanted wear claim of one pathOne important precious stone of thought to be found here is that in life , thither are no living , predictable moments . excogitation was molded with freedom of thought , result and choice . He is a dynamic world , and heart-to-heart to capricious whims and moments of spontaneity . It is this freedom , in fact , that prevails him from be ensnared in stasis , and suspense He may act without ostensible logical basis , and he need not tear down do soWe are given another gem , in this extemporary act : the traveler s willful act was catch in a lust to condition from routine . It was as if some sexual desire impelled him to shy out from the normalcy of e achday life . This , to him , was a proud moment ( I took the one less traveled by /And that has made all the difference . His realization of its value elucidates the fact that piece should not throttle himself in cycles and routines , for in that respect was a world out on that point that wanted wear , and has til now to be discoveredThis act becomes that milestone in a person s life where he becomes alert of his world , and how this one small action has a a hundred times meaning . It is not , however , completely complete - though he has made the profound breakthrough of the meaning of his one choice , and its inherent great value , he is withal made painfully aware of his existence His regrets end-to-end the poem ( sorry I could not travel twain . I doubted if I should ever come back , as well as the wistfulness of the title itself ( The Road Not Taken ) are at the heart of each sympathetic desire . Men are inherently flawed , and cannot absorb the little of t he universe , much less all of the world s experience! s It is a bittersweet afterthought that how way leads on to way in that location was no going back to the pilot film thoroughfare . One is reminded at this juncture of the wise management of Ignatius of Loyola , that once a choice has been made and made irreversibly , then one should not fret over its being unmake : We can change its effects , nevertheless the act of choosing is over and done withWe find another Frost character caught in contemplation of a choice , in the poem tenia by Woods on a snow-clad evening . The decision was not essentially important , for at any point in the traveler s voyage he could stretch forth himself this choice . We focus , however , on a later line in the back stanza : The darkest level of the course of get wind . This deadly delivered line within a lookingly steady internal dialogue ( My little horse must propagate it peculiar /To stop without a uttermostmhouse near ) from the character is in truth the key phrase in the w hole poem . It is a quiet statement on the limits of benevolentity . ten thousand interpretations could be taken from this one line only - the traveler could have faced a great tragedy in his life and has consequently witnessed pall or the traveler could have hard put that the darkest evening might make the travel more effortful The darkest evening of the year is the individual forcibly coming in contact with the world . It is a choice freely encountered contrasted in The Road Not Taken , emerging bunch did not compel him to make the decision then mystify to a particular alternative . Frost s traveler is a person who consciously recognizing his weaknesses . The journeying had wearied him , and there was a possibility that it would be even more grueling in the center of this darkest evening of the year . We are given a glimpse of an individual s creeping helplessness in life s journey . As the character in the poem step by step comes to know , a humanity bein g will be worn out in life , encounter fatigue in its! various forms animal(prenominal) , emotional and spiritual . He will become numb (as the seeming quietness of Frost s line shows and he will worry that he may not go onIn this one line , Frost makes us aware that the individual s part in the world is leaden and a lot unappreciative , a drudgery that , as often as not , seems devoid of any purpose beyond itself . The poem offers the occasional(prenominal) gleam of the gentler and more peaceful aspects of life ( The only other sound s the sweep /Of easy intertwine and downy flake , yet it always seems like a passing break of sunlight in the cloudy thrash about , for the poet laureate balances it all out with the dominant harshness of that one lineThe poem s traveler is consciously aware of his thoughts , through indirect reference to his horse ( My little horse must designate it queer . He gives his harness bells a shake /To call for if there is some mistake . Throughout the poem he is waging an inner battle between cont inuing the journey and taenia to stay put period . His thoughts against the journey are overpowering , as is observable in the majority of the poem s lines . This choice has a subtle , terrible implication - despite the harsh winter , the evening , the precariousness of discovery , and the uncertainty of his place - he would stop and take a rest .
He seems to speak on behalf of Man , who , coming at a most difficult point in life would be willing to bemuse it all away to regain spent energies or just to rest , and be damned the consequencesFinally , however , his realization completes itself . thither is s erene the journey . Amidst this battle between movem! ent and rest there emerges a milestone , for his subsequent decision to go on is a triumph of will - or better yet , the will-to-form - in its struggle to overcome the adversity of the indispensable low-down and pain . He shakes from his reverie , and decides that the journey is far more important to be thrown away ( only I have promises to keep /And miles to go forrader I relaxationThere is a feeling of resignation within the character ( The timberland are lovely , dark and deep /But I have promises to keep ) when he makes this resolution . The repetition of the destruction deuce lines is like a mantra being uttered as the traveler beats his breast . We should , however , instead turn to the second line of the last stanza , where the traveler is shown to be call up his obligations and his responsibilities . He remembers that he is not living his life for himself , exclusively for others as well But I have promises to keep is Frost s answer to The darkest evening of the year This is not a defiant answer in the same vein as Yeats Rage , rage against the dying of the light . He tells the reader that a Man s life is not his own were it is , he would have gladly gone and quit in the midst of it . His purpose in life should be primarily to dress others and to give oneself as much as one can . This goal does not spend itself in life it is right only in life s termination , thus the finish lines But I have promises to keep /And miles to go before I balance /And miles to go before I sleep .Like the Biblical mustard seed , Frost s simple unsoured England words hide a great many meanings that grow fertile branches of thought when buried in the coverness of the world . In two lines or more , scattered across his poems , we see the struggles of a human being against the world and against oneself . Between observations of the delights of disposition we see snatches of grief , joy , misgivings and a thousand human emotions alongside an ever-c onstant call to action , so that his poems and short ! stories seem to act as parables founded on a realistic lesson tenet of daily lifeThese two poems - The Road Not Taken and fillet By the Woods on a Snowy level - stand as monuments to stages in the one great journey of life . The simple yet profound imagery of occasion someway tells of individual responsibility , and the tired panorama of the woodwind instrument and a traveler in its midst reminds us somehow of social truthfulness , albeit not as an independently subsistent frankness but as an experience of the individual who remains alone within the whole , separated not by a primal alienation but by the ultimate loneliness of life and death , and bound to it only by moralistic ties of duty and commitmentA poet laureate he may be , but Robert Frost is not a prophet . He does not speak from volumes of knowledge hidden within scores and dozens of books or from some mystical insight in the way of Samuel Taylor Coleridge or William Blake rather , Frost speaks from th e erudition and with the images of experience . In this manner , he continues an American literary tradition that , occlude for the occasional symbolist or transcendentalist irruption , eschews the abstract for the cover , or to use the words of Christopher Dawson , the baroque for the bourgeoistheless , through the contrive s of sights we see everyday he gives us a profound insight on our role upon the world , of our unmixed experience not merely as humans in general but as particular people in specific circumstances . Through a few words in a poem he etches a knightly depth of all-too familiar human grief , limitations , and weaknesses . Through his literary productions he imprinted life and immortalized it for all ages for Frost was not a prophet but a sage , presenting to a world inured to its own lessons a faithful reflection of the experience that dwells in every street and dwelling , at every moment , and in every act of lifeWorks CitedFrost , Robert . The Ro ad Not Taken . Poetry Foundation . March 20 2008p F! rost , Robert . Stopping by the Woods on a Snowy Evening . Poetry Foundation . March 20 , 2008p PAGEPAGE 7 ...If you want to get a full essay, order it on our website:
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